Shaker made of plastic and natural skin. They can produce different patterns and pitch can be controlled by pressing harder or lighter on their skin surface. Usually played together to create a talking effect, they can be used for call and answer patterns in addition to standard shaker parts
Tam Tam Gong 30cm
Tam Tam gongs have a curved edge, which makes them have a more concentrated sound, not as expansive as Feng gongs.
They have 3 zones with different colors and thicknesses. The center and the rim are black and a central golden area is lowered and therefore finer.
Comes with a traditional-style fabric ball mallet and sturdy rope for hanging
Material: 7 metals
Rich in harmonics
Gong Made in Wuhan (China) in a traditional way
The gongs can have different sound even if they are of the same size since the sound also depends on the thickness and any small variation that may have occurred in its construction, as it is handmade. If you are interested in any size, you can request sound samples of those we have available.
Feng Gong 30cm
Feng gongs are flat, rimless and therefore expressive and explosive
Comes with a traditional-style fabric ball mallet and sturdy rope for hanging
Material: 7 metals
Rich in harmonics
Gong Made in Wuhan (China) in a traditional way
The gongs can have different sounds even if they are of the same size since the sound also depends on the thickness and any small variation that may have occurred in its construction, as it is handmade. If you are interested in any size, you can request sound samples of those we have available.
We usually have in stock from 20 to 55cms. The rest can be obtained on request.
Since its launching in 2001, the Sansula has quickly become a bestseller and found thousands of friends at home and abroad.
The special feature of the Sansula is its unbelievable sound. Whereby the clear and aesthetic design is most appealing. The oval frame of laminated beechwood is fitted with a membrane which, together with the resonating block, produces a prolonged, soft tone. Furthermore, an impressive 'wah-wah' effect can be produced by holding the instrument against the body, on the thigh or laying it on a table and then alternately raising and lowering it while playing.
This triple brass mouth harp is tuned as a melodic unit. Each one of the three reeds is tuned to a tonic from which you can produce all its harmonics. It can be understood as a pocket polyphonic synthesizer for experimental musicians. The instrument body is so solid that it does not vibrate when played. The reeds allows great movement versatility without generating tension on the jaw.
